茫茫的旷野被认为是可怕的、不美的。其实在我看来荒凉、野性的旷野更令人振奋，因为它质朴、原始、未经污染，未经人类涉足，它是处女地，它能折射出自然最为本质的力量。

　　人对荒的认同是由文化价值与历史价值决定的。艺术家作为社会成员，对人与自然互动关系中的感知，转移到个体，其表现与创作是不同的。这是基于审美的特性，也是人与自然环境之间存在的某些无法逾越的距离。

　　从一切可成为艺术的角度，我更感受“荒”给我带来的感应。表达要保持与“荒”的联系。它渗透着禅宗的启迪，“荒”本身就是艺术的表达。“荒”是无穷的，它不会被人为因素阻挡和限制，它是演变的，没有固定状态的，生生不息的……

　　Wilderness II

　　Vast wilderness is usually deemed as bleak and even terrifying. But I see more excitement in the bleak wilderness, for it's plain, primitive, unpolluted and undeveloped. It is virgin land, reflecting the most essential and fundamental power of nature.

　　The sympathetic response to the wilderness is a result of cultural and historic value. As a member of the society, artist perceives the interactive relationship between men and the nature, and represents that in various ways.

　　Everything can turn to become art. From this perspective, the feelings "wilderness" brings to me become even stronger. In a sense, "wilderness" per se contains some spirit of Zen. It is an expression of art. "Wilderness" is infinite and will not be limited or affected by human factors. It is endless, features no fixed state and evolves constantly.